![]() However, this shotgun uses a completely different texture than the actual Shotgun item model. The Scientist is armed with a Shotgun (with the internal name scigun.mdl) and will point it at the player before putting it down. Near the end of Lambda Core, the player will see a double glass door with a Scientist and a Security Guard on the otherwise. The game additionally only uses one frame of a full sprite animation. The Alien Grunt sprite used to simulate the horde of Alien Grunts in the bad ending appears to be based on the design seen in the 1997 prototype, not the final's. It is larger than the WON version and uses a solid orange color instead of orange with black borders. The in-game font in the Steam version is completely different. In the Steam version, it is now located on its own window and overlays the pause menu. In the pre-Steam versions of Half-Life, the console slides down from the top of the screen when activated. Steam Half-Life's GUI looks identical to the Steam GUI back during its 2003 launch. Also gone are many menu options, including Hazard Course, Custom Game, View Readme and Previews. Gone was a locked 640x480 menu with separate menu options, replaced with a menu that scaled with the game's resolution. ![]() ![]() When Valve re-released the game on their Steam service, they replaced the main menu. This was removed in versions 1.1.0.8 and after. In the older versions of retail Half-Life, taking fall damage or strafing left and right would result in the player's screen being tilted slightly. The Gina, Gordon, HGrunt, and Scientist multiplayer models were replaced with copies of the Helmet multiplayer model. The German version of the game removes the breasts (and the associated jiggle physics) the Female Assassins have. by shooting specific lights in a certain order, or performing some other secret action. Some map edits (or AMX Mod plugins) provide a way to open this door and enter the room - e.g. No one I told this believed it, by the way. The solution was to disable access to the room rather than deleting the room. It existed right up till the last minute before the map was released, and so when the decision to remove it was made, only a very minor change to the level was permitted. Pratt: Ok, once and for all, the “blue room” in crossfire - why is it there, and is there really any way in?ĭario: I could fill an encyclopedia with the number of emails I was sent about this blue room! There's actually no way in there. Inside the room is a spiral ramp leading to a crossbow, ammunition, and HEV suit batteries.ĭario Casali provides an explanation for the "Blue Room" in an interview with Planet Half-life from 2004. It is also visible when using render commands like r_drawflat, gl_wireframe, etc. It is visible in-game by setting off explosions around it (the scorch mark decals do not cross over from the wall to the blocking entity), but cannot be opened. In the room with the Longjump module and HEV charger, there is a "wall" entity blocking a passage to a secret room. Interestingly, if this triangle is touched while running Half-Life in the Xash3D source port, it will transport the player two maps ahead, however it'll properly position them near the starting elevator, albeit without their HEV suit, weapons, or ammunition, acting similarly to if the player attempted to directly load the map through the console. The switch also exists in the multiplayer level lambda_bunker, but will crash the game if used. Walking towards it will either crash the game (if you're running the game in Software mode, running in OpenGL or Direct3D mode will apparently stop the game from crashing) or send you 2 maps ahead (the map where you fire the tank to open the door that takes you to the lambda lab), floating on the ceiling, dead.Īttempting this in the Source version will exit the level and return to the main menu because the game doesn't know how to properly transition into the map the triangle sends you to. If one noclips inside, the player will see a red triangle. In the chapter 'Forget About Freeman', there is an elevator with a closed door at the beginning.
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Open the book you wish to backup or share in BookSmart.Ģ. ![]() You can also use this backup if you want to work on your book on a different computer, or share your book with a co-author.Ĭreate a backup or shareable copy of your BookSmart projectġ. It's always a good idea to create a backup file of the book project you've been working hard on. ![]() List the essential contact information that prospective employers will be able to reach you at any moment. It should be concise and presented in an easy-to-read fashion, with a basic typeface, minimum design, and bullet points to split down content.įollow our recommended format and tips below to make your CV stand out: 1 Start with Name, Contact, and Address details Your CV is the primary point of contact between you and your next possible employer. 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Photomatix offers two ways to solve this problem: If you have ever photographed a high contrast scene, you know that even the best exposure will typically have blown out highlights and flat shadows. ![]() Download HDRsoft Photomatix Pro v3.2.7 crack<< ![]() Observation is less disruptive and more unobtrusive than interviewing. Prolonged observation generates more in-depth knowledge of a group or subculture, and researchers can avoid disturbances and potential biases caused by an occasional visit from an unknown stranger. This also means that they should suspend prior assumptions, so as not to miss important aspects or misinterpret the situation. For these reasons they may not need a long introduction to the setting they might, however, miss significant events or behaviours in the locale because of familiarity. Health professionals, of course, are already members of and familiar with the culture they examine. Participant observation sometimes proceeds over one or several years, although some observation does not take as long. DeWalt and DeWalt advise attention to detail which includes ‘mapping the scene’, observing patterns, arrangements and activities. However, extraordinary occurrences and critical events must also be observed as they are specific to the setting. For health professionals this is an easy task as they are already familiar with language, routines and people in the setting, although they must be aware that these vary for context and situation. DeWalt and DeWalt (2002) stress that researchers need to be involved in the context for a prolonged period of time they should learn the language used in the setting. Immersion in a setting can take a long time, often years of living in a culture. Studies in anthropology and sociology in particular used observation. ![]() From the early days of fieldwork, anthropologists and sociologists became part of the culture they studied, and examined the actions and interactions of people in their social context, ‘in the field’. However, early travellers in ancient times wrote down their observation of cultures they visited, often as participants in those cultures, making it probably the earliest of all forms of data collection. Participant observation has its origins in anthropology and sociology. Mulhall (2003) maintains that unstructured observation is an underused strategy in nursing research. The discussion here centres on observation as a data collection strategy within particular approaches to qualitative research such as ethnography, grounded theory, action research and others. Some see it as a research approach or methodology, others merely as a procedure or strategy for collecting qualitative data. There has been a debate about the nature of participant observation. The researchers will become an integral part of the setting they enter and, to some extent, a member of the group they observe. As Jorgensen (1989: 15) states: ‘Participant observation provides direct experiential and observational access to the insiders’ world of meaning.’ The social reality of the people observed is examined. Qualitative researchers generally use the term ‘participant observation’, a phrase originally coined by Lindeman (1924) which he described as the exploration of a culture from the inside. ![]() When researchers decide to observe, they do not set up artificial situations but look at people in their natural settings. The relationship between observer and observed in a health setting is strong, and much meaning is shared. ![]() This is perhaps easier for the researcher than for the busy professional in clinical practice carrying out routine business. Reciprocity of perspectives: In both roles, health professionals attempt to empathise with patients and put themselves in their shoes. Savage (2000) sees parallels between observation and clinical practice:Ĥ. There are many opportunities to do so – perhaps on a ward, in a reception area, in the emergency department, a clinic or any other relevant location inside the hospital or the community. In any case, for nurses and midwives it is important to observe patients, and this everyday practice in clinical settings might help them use participant observation in research. It provides access not only to the social context, but also to the ways in which people act and interact. Indeed, Strauss and Corbin (1998) see it as qualitative research par excellence. Although interviewing is a more popular strategy for those undertaking qualitative inquiry, many qualitative researchers believe that it should complement interviews (Hammersley and Atkinson, 2007). In particular, it forms an essential element of ethnography and many other types of research, but not of approaches that are based on narratives or pure textual analysis, for instance, descriptive phenomenology or narrative analysis. Observation is a data source which researchers use to explore and understand the group or culture under study. ![]() It’s possible there will be other entities within the 6-tile radius, like neighboring civilizations or city states. Planning out where the Observatories are built is as crucial as planning cities, so keep this in mind. Because farms can’t be built on hills tiles until later in the game, settling cities or building districts on hills saves the flatland for farms. Instead of gaining adjacency bonuses from mountains and jungles, they gain +2 for every adjacent plantation and +1 for every 2 farms or districts. ![]() ![]() It’s also important to consider the Mayan’s unique science district, the Observatory. Don’t forget that cities can’t be placed within 3 tiles of other city centers, but borders can touch. Mayan cities also gain a +1 amenity for every luxury resource adjacent to the city center, which can help keep the massive cities happy later. This means players don’t have to worry about settling near rivers and can find areas more suitable for the 6-tile area instead. When settling, keep the Mayan Mayab ability in mind: cities don’t gain housing from water but gain additional housing from farms to make up for it. Even if the placement isn’t 100% perfect, it is still playable thanks to the bonus yields. Resetting the game for a better start is also an option, but restarting repeatedly until getting a perfect start can be a never-ending pitfall and is unavailable in multiplayer games. If a player’s spawn location is near one of these, then moving a few tiles away before settling the capital is advisable to establish the parameter in a more optimal location. Areas like this mean that the ring will include less area for the player to create cities. There are a few obstacles that could potentially hinder this ring, such as natural barriers like oceans and mountains, or harsh climates like deserts or polar regions. Using the in-game pin tool, players can easily place notes to plan out where they will settle cities. Because of the special 6 tile radius, planning out where to settle Mayan cities is of utmost importance. ![]() This is because, once you get into a story and start enjoying it you will pick up words, phrases and grammar in a natural way without really noticing it. Reading for pleasure, rather than reading in the form of a grammar book can be so beneficial for improving language learning. For all round benefits you need to spend time on each pillar. ![]() Let’s divide our German immersion strategy into the four pillars of language learning reading, writing, listening and speaking. Even if you’re a relative beginner, there are TV shows and books that are ideal for immersion and if you’re around B1 or B2 level and above there are countless hours of TV shows and endless books for you to enjoy. You can even replace your entertainment time with German. This could be during your morning commute, on the school run or waiting in a queue. But I would encourage you to look for opportunities during your day where you have unused or ‘wasted’ time. How much time you spend absorbing the German language will of course depend on what is going on in your life. You can always increase your immersion time faster than that if you’re enjoying it. This could be watching a short YouTube video in German, or reading a few pages of a German book at the correct level for you.Īim to add 10 more minutes per day. I will go into more detail on actual immersion ideas in a minute, but when you start, aim for 10 minutes of immersion per day. How you begin depends on your current level but you need to start off small and build up your immersion time in order to form a habit. If you’re like me and learning German as a hobby and for the sheer enjoyment of it, immersing yourself in the language can be an absolute pleasure. How much time should I spend on immersion? Eventually those highlighted adjective endings with just sound ‘right’ and you won’t need to think about them. For example if you hear the phrase ich wünsche dir ein en schön en Tag. You’ll pick up idioms and colloquial phrases that add character and interest to the language.Īdjective endings and other grammar concepts will also come to you more easily when you have picked up a certain phrase from listening to German speakers talking. ![]() Babies and children don’t spend time studying grammar, they spend countless hours listening to their parents speaking.īut how to do that in the most effective and most of all, painless way?īy listening to German speakers as much as possible, you’ll learn everyday language and sayings that you won’t learn in grammar books. After all, it is the most natural way to learn. If you’re serious about learning German and making real progress you need to immerse yourself in the language as much as possible. ![]() Before Outer Wilds became the game it is today, Beachum had to figure out what the project was going to be. This “emotional prototype” of roasting a marshmallow helped inspire the game.īeachum traces the origins of the marshmallow roasting to a series of prototypes for his thesis project over 10 years ago. Here you can see the heat zones of the fire that roast your marshmallow. Image: Mobius Digital/Annapurna Interactive Here you can see a temperature gauge that they considered adding to the game. The developers shared old work-in-progress images of roasting marshmallows in Outer Wilds for this story. As it turns out, the concept was central to the creation of the game even in its early stages. It’s a novel reprieve from the cold deadness of space, and as creative director of Outer Wilds Alex Beachum said in an interview with Polygon, it isn’t just some cutesy addition with no use. If you hold the marshmallow the perfect distance from the fire for the right amount of time, you’ll end up with a golden crispy dessert that can heal some of your health. In Outer Wilds, you can press a button to hold out a stick over a fire and wobble it around to roast the mallow. Whether you prefer to eat them by themselves or paired with chocolate and graham crackers as a s’more, you’d be hard-pressed to find a food that better encapsulates the spirit of summer camp of the warm, gooey years of old. Whether you’re camping or just hanging out around a fire in the summer, odds are someone will bring out a bag of the fluffy confection at some point. Roasting marshmallows (or “mallows,” as they’re lovingly called by some) is a time-honored tradition in North America. We used the ship log to guide us, and made sure we filled in every rumor and bit of information we could.Īnd once we help you collect all the information to find in the solar system, we even have a guide to walk you through Outer Wilds’ ending.Īfter you beat the game, it’s time for the DLC, so check out our Outer Wilds: Echoes of the Eye walkthroughs and guides.Welcome to Polygon Summer Camp ! This summer we’re bringing you the best and brightest stories, all about camp vibes, that will make you feel all warm and fuzzy inside. The rest of our guides will walk you through every planet and location in the order they made sense to us - including a trip to the strange comet, The Interloper - but your journey doesn’t have to follow the exact same path. We’ll start on Timber Hearth’s moon, the Attlerock, and follow the clues from there to the game’s other planets, like Brittle Hollow and Giant’s Deep. Our guides will walk you through every step of the way, using the clues you gather at each location to point your way to the next. They’ll point in several directions, and it might get hard to keep track of where you’re supposed to go next. It won’t take long until, like any good mystery, you have a lot of pieces of information to sort through. Your job is to piece together information from various ruins left behind by a long-dead civilization all across the solar system. And not too long after that, the sun explodes and everything resets. You have access to an entire solar system right from the start. Our Outer Wilds beginner’s guide will get you started. ![]() It’s a purposefully obtuse game that rewards curiosity. It just doesn’t tell you why you’re exploring, what the mystery is, or even that there is a mystery. Outer Wilds is a game about exploration, puzzles, and solving a mystery. ![]() The benefits of adding image carousels to your emails More of a visual learner? Check out our short tutorial on how to add interactive image carousels in Dyspatch to see just how easy it is. From product recommendations and recent listings to related articles, the possibilities are truly endless. Yep - it really is that simple! In just a few minutes, you can add an image carousel in your template serving many use cases. You can see all the updates made to your email content as you make them in the visual preview shown on the side. To do so, simply click the carousel block and toggle through options listed in the visual editor. This gives anyone on your team the ability to get creative and innovate with interactivity in email, regardless of technical expertise.Īfter you’ve dropped your carousel block in, all that’s left is to choose your images, specify the destination link of each image, and add in your alt text - this last piece helps you score big on accessibility, thus guarding your messages from being marked ‘spam’. ![]() ![]() With Dyspatch’s visual editor, breathing new life into your email marketing with image carousels is as simple as dragging a pre-coded carousel block directly into your email template. Let’s get started! How to add interactive image carousels into your email how to ensure subscriber’s interactive emails are always responsive, and what AMP-powered image carousels can do for your email engagement game.The compatibility of image carousels across email clients.The benefits of using interactivity and image carousels in email.So in this guide, I’ll be explaining how to upgrade your email marketing game by adding interactive image carousels using what I know best: the Dyspatch email builder. And that means being able to create engaging, responsive emails without having to write code or wrangle any HTML. But our goal at Dyspatch is to make adding complex elements to emails, like image carousels, quick and easy. Now, you might think adding an interactive image carousel to your email template would take a lot of time, or maybe even require a developer and other dedicated resources. And considering this type of layout’s been shown to boost engagement significantly, it makes sense email should follow suit. Care to talk interactive image carousels?įrom scrolling landing pages to social media posts, interactive image carousels have made waves in the content world. ![]() Much to Viggo's surprise, John managed to accomplish the task, which led to the rise of the Tarasov Mob and John's retirement as promised. He agreed to let John go on the condition that he complete an "impossible task": kill all of his rivals in one night. Viggo explained that he saw John kill three men with a pencil and gave him a job to assassinate many of his rivals with ease, but this changed when the legendary assassin met Helen and told Viggo that he wanted to retire to spend a new life with Helen. The leader of the Tarasov Mob explained to his son that John was once his best hitman, whom he referred to as "Baba Yaga" or the Boogeyman. Viggo was shocked by this revelation and ended the call, realizing that John is intending to kill his son in revenge for his dog's death.Īs a result, Viggo summoned Iosef in his flat and punched the young man twice in the stomach after giving him a drink, much to the surprise of his lawyer Avi, who was present as well. Aurelio explained that he did it because Iosef stole John Wick's car and killed his pet puppy Daisy (which was a posthumous present from Helen) for fun. Viggo is first seen when he was talking to a car mechanic named Aurelio about striking Iosef. The assassin's "impossible task" enabled the Tarasov Mob to rise to power in New York. However, with the help of Italian crime lord Santino D'Antonio, John succeeded and Viggo had no choice but to let him retire. Unwilling to let his best and most capable henchman leave his service, Viggo gave him an 'impossible task', implied to eliminate notable members of rival mobs. Later, John asked to leave so he could marry Helen. This sparked the light in Viggo's eyes he saw John's potential and hired him to be part of the mob. It is mentioned that he always had a rivalry with another 'gang.' While Viggo was in a bar, he saw John Wick kill three people with a pencil. Viggo Tarasov inherited the leadership of the Tarasov Mob after his father died. He serves as the main antagonist of John Wick, and a posthumous antagonist of its sequels, John Wick: Chapter 2 and John Wick: Chapter 3 – Parabellum. Viggo Tarasov was a notorious Russian crime boss who was the former head of the Tarasov Mob in New York City, the father of Iosef Tarasov, an enterprising businessman with questionable roots, and the former employer of John Wick. And then my son, a few days after his wife died, you steal his car and kill his fucking dog." -Viggo to Iosef The bodies he buried that day laid the foundation of what we are now. We are cursed, you and I." -Viggo Tarasov to John Wick "John is a man of focus, commitment, sheer will. Infecting everyone that comes close to you. John Wick: Chapter 2 (mentioned) "This life. |
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